It’s one of the hottest, summery-est days of the year, and
yet the signs of change to the next season are everywhere. Yesterday the
soybean field out the south window of my office was at its peak of gold-hued
beauty; today it’s all grey-brown blah. Life, I tell you. One minute you’re
golden, the next you’re filler in a package of hotdogs. Of course, frequently
it does take longer than a minute, but the end is still the same and it’s still
cause for melancholy reflection.
So the big elm tree next to our house split in two a week ago.
Half of it fell on the house. Miraculously, there was very little damage,
certainly nothing major. Ironically, it probably would have been cheaper for us
if there had been, since that’s just one of the mysterious ways insurance
works. Regardless, the tree removal guys are out there right now, with a crane
and a bunch of chainsaws and a big mechanical crab-claw thing that looks like
it would be kind of fun to operate except that it’s about a hundred degrees in
the shade out there, and we now have a lot less shade.
The tree was old, and it was only a matter of time before
the other half fell, so K agreed to have not just the fallen parts removed but
the whole thing. I don’t know why this makes me sad, but it does, and I guess
this is one of those things that either makes you unaccountably very sad or else
just makes you shrug. “Tree hugger” used to be a derisive term, but lately it
seems to have been reclaimed by those who feel a strong emotional pull toward
nature. Until a tree dies, I somehow always think of them as nearly eternal,
like mountains or lakes. They seem so solidly enduring, such a steady presence
amidst the frantic madness of the rest of the living world.
Our house is 120 years old; I have no idea how many years it
shared with the tree, but I’m sure there were a great many. At the point when
we moved in, it shaded the entire west side. There were birds’ nests in its
trunk, and K attached a rope ladder to one bough so that our macaws could climb
up and play in the branches. Whenever I looked out the west window of my
office, that’s what I’d see—that’s all
I’d see. I didn’t mind; it’s not like there was much of a view beyond it, and I
liked looking for the songbirds that made such a racket each morning. There’s a
lot more light in my office now—harsh light, searing with heat. It makes me
think of those Edward Hopper paintings of people looking out windows like they’re
waiting for something, except in the moment of the painting, there’s nothing
out there but that hard, uncaring light.
There’s so much tragedy going on right now—too much, it
often seems, as if there could ever be just the right amount of tragedy. Amidst
all this, there’s something absurdly precious and pointless about mourning the
death of one tree. Nevertheless, there’s an empty space now where there once
was something grandly alive. I won’t ignore that, and hopefully that way I won’t
forget it.